Intuition and Sensing
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Signs |
Intuition |
Sensing |
|
Appearance |
The main figure creates a stick like appearance,
a stretched out rectangle, “clearly" is formed. |
The main figure creates the essence of a
rectangle with oval and spherical qualities, “motion set" into the
outline. |
|
Skull |
The shape of skull is triangular; the frontal
view has the outline of diamond or triangle,
tapering considerably at the bottom. The forehead, chin, back of the head to
the neck creates a reduction, narrowing downward at the end. |
In the front, it has outlines of a flat rectangle
or trapezoid, which is slightly constricted upwards
or downward. Forehead, chin, back of the head and neck create sphere, oval or
square due to the thickened neck and the rounded forms. |
|
Side
view, Profile |
Looking at the profile
and viewing the arc in the center of the forehead there is a clearly visible
sharp transition at the hairline. Often
jutting to each point, there is a sharper and angular appearance. A sharper curve at the
hairline of the forehead and a sharper curve at back of the head, and a more
pointed chin give to a triangular profile due to the more abrupt edges and
slender neck. The profile resembles the triangular
form of a small bird, "In flight". The side view outline of the profile "is clearly
open" from the front between the chin and the nose. The chin line and nose within the profile, if they are imagined to continue forward, they seemingly disappear
into the other side or vice versa, they converge, but without rounding to
face, but frontward to an "unclosed outline” profile. |
Forehead is rounded
back, has smooth, almost imperceptible passage to the hair part. Usually
smooth and flat, without sharp edges, flat or rounded as ball, with smooth
lines. Profile resembles oval, sphere or rectangle because of the smooth
rounding of the skull, nose and chin. Face and skull create the locked
outline. Flat back of the head, heavy chin, A line on the ridge of the noise
extended out and squared with the bottom of the profile. The chin line and
nose within the profile, if they are imagined to continue forward, as if each itself, they do not anywhere show or
vice versa, round conversely to face, "a complete outline" profile.. |
|
Nose, the bridge of the nose |
With the view into
the front the bridge of the nose appears wider than the
neck of nose, the passage between them smooth. Triangular area - the inverted
triangle by apex downward on the bridge of the nose, is located, where the
nose passes in the form of letter T in the superciliary
arcs (bone protrusions, which are been located on top above the eyes
horizontally). Base of triangle is abutted against
the horizontal line, passing through superciliary
arcs, and apex is located in the very bottleneck of the neck of nose. The
sides of triangle smoothly (without the sharp fractures, clearly visible it
is angular) pass from nose to superciliary arcs.
Area is similar to the leg of wine glass (especially in women) convex, round offed on to nose. Nose shows direction, aspiration
forward, it is frequently sharpened and thinned. |
Nose with the view
into the front has very draft on the bridge of the nose. In the place, where
the nose passes into the superciliary arcs, is
formed the point, at which converge the lines of nose and superciliary
arcs. The sides of triangle converge there into one point
and is formed apex, and base is located in widest part of the neck of
nose. Area on the bridge of the nose is absent, superciliary
arcs sharply pass into the nose, frequently with the fracture. Nose does not
show direction, it is clearly it is not designed (by "potato"), or
directed downward, as to the chin. |
|
Chin and the cheek-bone |
The chin becomes narrow, is
sharpened in the front. In the profile, it sometimes mows downward to
the neck, or it is sharpened, is made itself face
that sharpened, with the impending frontal part and by the hollow lower,
directed forward, "flying". Cheek-bones
are not designed, rarely wide, they clearly become narrow downward to the
chin, creating into the front the form of the drop, directed by sharp end
downward. Lower jaw "weak". Are created
the visual impression of "weakness", the uncertainties of the lower
part of face, its ease, refinement, brittleness, pronzitel'nosti. |
In the front round
either square, by "building block", is doubled
or flat. It comes out forward in the profile,
profile is made itself vertical, round or even a little concave in the region
of nose. It frequently has sufficiently wide flat or concave area from the
front, sometimes doubled with the deep vertical fold, forming as two balls or
oval, sharply outlined. Cheek-bones frequently are
separated, wide from the temples to the chin, give to face into the front the
form of oval, sphere, rectangle or slightly narrowed upward or downward
trapezoid. Lower jaw "heavy". The visual impression of massiveness,
soundness, sluggishness, stability is created. |
|
Back of the head |
In the profile it enters
in the form of convexity with the well noticeable sharp passage downward to
the neck. It frequently has ledges and convex, sharply protruding parts. With
the view into the profile it speaks outside in favor
of the vertical line of neck, if it are mentally continued upward. |
Flat or round off, is smooth, almost unnoticeably
passing into the neck. Usually smooth and flat, with the smooth lines. The
vertical line of neck continues with the view into the profile, or it is
rounded off.. |
|
Neck |
"swan", long
and thin, is clearly expressed, frequently elongated and inclined forward, it
is bent. It is possible to isolate with the view separately head, neck and
body. Head, as "dandelion" on stebel'ke
", is held on the neck and is inclined to the
different sides, independent of the position of body (very bright sign!).
Frequently it intuit it freely turns head it bends
neck, without changing in this case the position of body and not at all
moving. |
"bull", short
and thick, it is unobtrusive, frequently is created impression, that the head
sits directly on the arms. With the view the neck
seemingly is absent, creating the impression of head and body as single
whole. Head as if "sits" or "rolls itself" on the arms,
neck barely is bent, straight line. Frequently it is possible to observe as sensorik (especially rational) instead of the turning of
one head, it is turned by entire body in the direction of
view (very bright sign!). |
|
Back |
Frequently bend out, round-shouldered, has sharp blades,
sharp passage to the neck. Waist elongated and bend
out, passage from the edges to the basin is long and is smooth, which gives
plasticity, flexibility to figure. Buttock muscles of the elongated form, resemble the elongated drop. |
Round offed
or flat, smoothly passes into the neck, straight line. Waist is designated as sharp fracture, or generally it is absent, giving to figure thickset form
buttock muscles rounded, resemble only compressed it is lateral oval or ball
with the uniform rounding throughout entire circle. |
|
Feet |
Thin, there are the torchashchiye
joints in the region of basin and elbows. Muscles are thin and are elongated.
Feet as a whole are long and are thin. Impression of
lengthening, curvature or concavity. Elbows narrow, have with the bend
of knee joint one or several clews, thigh sharply is connected with the shin.
The ankle appears elongated, thin and brittle. |
Thickened, dense, smooth, do not usually contain
the protruding parts and sharp passages, or sinewy with the
"blotches" of round muscles of leg as a whole
sinewy. Impression of convexity. Elbows with the
bend round, by "ball", frequently with the flat wide area on the
bend, are evenly rounded throughout entire circle without the sharp protrusions, thigh smoothly passes into the shin. The
ankle appears short and thickened. |
|
Hands |
Thin, there are the torchashchiye
joints in the region of collar bones, elbows and
wrists. Muscles are thin and are elongated. Hands as a whole are long and are
thin. Impression of lengthening, curvature or concavity.
The elbows narrow, sharpened, have on the bend clew. Arms are angular, they
are sharply allotted to sustavy.Zapyast'e it
appears elongated, thin and brittle. Fingers are thin and are long. |
Those thickened, dense, smooth, usually do not
have the protruding parts and sharp passages, they frequently appear sinewy
with the "blotches" of round muscles on the arms. Impression of convexity. Elbows on the bend round, by
"ball", frequently with the small flat wide area on the bend, are evenly rounded without the sharp protrusions. Arms are
rounded, the passages between the joints smooth. Wrist appears short and
thickened. Fingers are short and are thick. |
|
Breast |
Flat or concave. In women (very bright sign!)
the breast of the pointed form. It resembles "pyramid".
Forward section with the nipple has a form of the pointed cupola. In the
profile the form of breast triangular, from below from the base immediately
passes into the straight dome-like part, which frequently has concave surface
around the nipple. |
It is slightly bend out or by "wheel".
In women the breast of rounded form, resembles ball. Forward section with the
nipple has a form of oval or sphere. The form of breast is ball-shaped or is
oval in the profile - from the base smoothly from below rounds throughout
entire circle upward, surface around the nipple the always convex |
|
Motions |
Acted unsure, jerky, chaotic, unrythmic, unexpectedly change poses. It can too rapidly or slowly
move relative to the requirements of real situation. Subtype with the
intensive intuition is similar to the insect - so it stirs by fingers and
nose. |