Intuition and Sensing

Signs	Intuition	Sensing
Appearance	The main figure creates a stick like appearance, a stretched out rectangle, “clearly" is formed.	The main figure creates the essence of a rectangle with oval and spherical qualities, “motion set" into the outline.
Skull	The shape of skull is triangular; the frontal view has the outline of diamond or triangle, tapering considerably at the bottom. The forehead, chin, back of the head to the neck creates a reduction, narrowing downward at the end. .	In the front, it has outlines of a flat rectangle or trapezoid, which is slightly constricted upwards or downward. Forehead, chin, back of the head and neck create sphere, oval or square due to the thickened neck and the rounded forms.
Side view, Profile	Looking at the profile and viewing the arc in the center of the forehead there is a clearly visible sharp transition at the hairline. Often jutting to each point, there is a sharper and angular appearance. A sharper curve at the hairline of the forehead and a sharper curve at back of the head, and a more pointed chin give to a triangular profile due to the more abrupt edges and slender neck. The profile resembles the triangular form of a small bird, "In flight". The side view outline of the profile "is clearly open" from the front between the chin and the nose. The chin line and nose within the profile, if they are imagined to continue forward, they seemingly disappear into the other side or vice versa, they converge, but without rounding to face, but frontward to an "unclosed outline” profile.	Forehead is rounded back, has smooth, almost imperceptible passage to the hair part. Usually smooth and flat, without sharp edges, flat or rounded as ball, with smooth lines. Profile resembles oval, sphere or rectangle because of the smooth rounding of the skull, nose and chin. Face and skull create the locked outline. Flat back of the head, heavy chin, A line on the ridge of the noise extended out and squared with the bottom of the profile. The chin line and nose within the profile, if they are imagined to continue forward, as if each itself, they do not anywhere show or vice versa, round conversely to face, "a complete outline" profile..
Nose, the bridge of the nose	With the view into the front the bridge of the nose appears wider than the neck of nose, the passage between them smooth. Triangular area - the inverted triangle by apex downward on the bridge of the nose, is located, where the nose passes in the form of letter T in the superciliary arcs (bone protrusions, which are been located on top above the eyes horizontally). Base of triangle is abutted against the horizontal line, passing through superciliary arcs, and apex is located in the very bottleneck of the neck of nose. The sides of triangle smoothly (without the sharp fractures, clearly visible it is angular) pass from nose to superciliary arcs. Area is similar to the leg of wine glass (especially in women) convex, round offed on to nose. Nose shows direction, aspiration forward, it is frequently sharpened and thinned.	Nose with the view into the front has very draft on the bridge of the nose. In the place, where the nose passes into the superciliary arcs, is formed the point, at which converge the lines of nose and superciliary arcs. The sides of triangle converge there into one point and is formed apex, and base is located in widest part of the neck of nose. Area on the bridge of the nose is absent, superciliary arcs sharply pass into the nose, frequently with the fracture. Nose does not show direction, it is clearly it is not designed (by "potato"), or directed downward, as to the chin.
Chin and the cheek-bone	The chin becomes narrow, is sharpened in the front. In the profile, it sometimes mows downward to the neck, or it is sharpened, is made itself face that sharpened, with the impending frontal part and by the hollow lower, directed forward, "flying". Cheek-bones are not designed, rarely wide, they clearly become narrow downward to the chin, creating into the front the form of the drop, directed by sharp end downward. Lower jaw "weak". Are created the visual impression of "weakness", the uncertainties of the lower part of face, its ease, refinement, brittleness, pronzitel'nosti.	In the front round either square, by "building block", is doubled or flat. It comes out forward in the profile, profile is made itself vertical, round or even a little concave in the region of nose. It frequently has sufficiently wide flat or concave area from the front, sometimes doubled with the deep vertical fold, forming as two balls or oval, sharply outlined. Cheek-bones frequently are separated, wide from the temples to the chin, give to face into the front the form of oval, sphere, rectangle or slightly narrowed upward or downward trapezoid. Lower jaw "heavy". The visual impression of massiveness, soundness, sluggishness, stability is created.
Back of the head	In the profile it enters in the form of convexity with the well noticeable sharp passage downward to the neck. It frequently has ledges and convex, sharply protruding parts. With the view into the profile it speaks outside in favor of the vertical line of neck, if it are mentally continued upward.	Flat or round off, is smooth, almost unnoticeably passing into the neck. Usually smooth and flat, with the smooth lines. The vertical line of neck continues with the view into the profile, or it is rounded off..
Neck	"swan", long and thin, is clearly expressed, frequently elongated and inclined forward, it is bent. It is possible to isolate with the view separately head, neck and body. Head, as "dandelion" on stebel'ke ", is held on the neck and is inclined to the different sides, independent of the position of body (very bright sign!). Frequently it intuit it freely turns head it bends neck, without changing in this case the position of body and not at all moving. Adams apple, if there is, is visible as the sharp protruding part	"bull", short and thick, it is unobtrusive, frequently is created impression, that the head sits directly on the arms. With the view the neck seemingly is absent, creating the impression of head and body as single whole. Head as if "sits" or "rolls itself" on the arms, neck barely is bent, straight line. Frequently it is possible to observe as sensorik (especially rational) instead of the turning of one head, it is turned by entire body in the direction of view (very bright sign!). Adams apple sharply does not come out, it has the rounded off outlines.
Back	Frequently bend out, round-shouldered, has sharp blades, sharp passage to the neck. Waist elongated and bend out, passage from the edges to the basin is long and is smooth, which gives plasticity, flexibility to figure. Buttock muscles of the elongated form, resemble the elongated drop.	Round offed or flat, smoothly passes into the neck, straight line. Waist is designated as sharp fracture, or generally it is absent, giving to figure thickset form buttock muscles rounded, resemble only compressed it is lateral oval or ball with the uniform rounding throughout entire circle.
Feet	Thin, there are the torchashchiye joints in the region of basin and elbows. Muscles are thin and are elongated. Feet as a whole are long and are thin. Impression of lengthening, curvature or concavity. Elbows narrow, have with the bend of knee joint one or several clews, thigh sharply is connected with the shin. The ankle appears elongated, thin and brittle.	Thickened, dense, smooth, do not usually contain the protruding parts and sharp passages, or sinewy with the "blotches" of round muscles of leg as a whole sinewy. Impression of convexity. Elbows with the bend round, by "ball", frequently with the flat wide area on the bend, are evenly rounded throughout entire circle without the sharp protrusions, thigh smoothly passes into the shin. The ankle appears short and thickened.
Hands	Thin, there are the torchashchiye joints in the region of collar bones, elbows and wrists. Muscles are thin and are elongated. Hands as a whole are long and are thin. Impression of lengthening, curvature or concavity. The elbows narrow, sharpened, have on the bend clew. Arms are angular, they are sharply allotted to sustavy.Zapyast'e it appears elongated, thin and brittle. Fingers are thin and are long.	Those thickened, dense, smooth, usually do not have the protruding parts and sharp passages, they frequently appear sinewy with the "blotches" of round muscles on the arms. Impression of convexity. Elbows on the bend round, by "ball", frequently with the small flat wide area on the bend, are evenly rounded without the sharp protrusions. Arms are rounded, the passages between the joints smooth. Wrist appears short and thickened. Fingers are short and are thick.
Breast	Flat or concave. In women (very bright sign!) the breast of the pointed form. It resembles "pyramid". Forward section with the nipple has a form of the pointed cupola. In the profile the form of breast triangular, from below from the base immediately passes into the straight dome-like part, which frequently has concave surface around the nipple.	It is slightly bend out or by "wheel". In women the breast of rounded form, resembles ball. Forward section with the nipple has a form of oval or sphere. The form of breast is ball-shaped or is oval in the profile - from the base smoothly from below rounds throughout entire circle upward, surface around the nipple the always convex
Motions	Acted unsure, jerky, chaotic, unrythmic, unexpectedly change poses. It can too rapidly or slowly move relative to the requirements of real situation. Subtype with the intensive intuition is similar to the insect - so it stirs by fingers and nose.	Rhythmical, regulated, prudent, economical. Motions are rationally calculated according to the situation - rapid or slow. Is similar on Siberian topaz, sluggish and massive.
Gait	Gait semenyashchaya, can be jumping, "flying", acted unsure. The rhythm of gait is inconstant, it changes unexpectedly or vice versa, does not change in spite of the situation. The gait of intuitive is sufficiently angular, foot rises and during the lift no longer is checked to a sufficient degree, then it descends, and where it descends it is also checked badly. Are placed feet, seemingly temporarily touching the earth, preparing to immediately change attitude.	Gait is rhythmical, is confident, rate is usually constant, if there is no real reasons for the acceleration or retarding of rhythm. The motion of the foot of sensory is checked not only in the positions "raised" or "omitted", but at many points in the trajectory. Feet are placed clearly, fixing steps, as forever.
Carriage	It inclines head to the different sides, when it associates or on the photo. Carriage is different. Without depending on physical state and mood, can be arched, bend to the side, hold back directly or stick out the stomach.	Straight line, does not change, spin the large part of the time it is vertical, independent of its form. It is bent or is inclined only with the specific goals, on it situatsii.Derzhit head in essence directly, militarily with the contact and on the photo.
Speech	Is variative, probabilistic, torn, unfinished. Words and phrase pronounces one after others without the clear separation, especially when it hurries. Can detonate tens of words and proposals by "volley", making no pauses and spaces, the higher the speed, the more indiscriminately the word, phrases and proposals as "overflow" one into another, it is frequently difficult to understand, where one ends and another begins. It is attempted to develop consideration simultaneously in several directions, drawing the washed away and probabilistic conclusions. It begins to speak no matter how with that not from this, creating the strange impression of the continuation of the speech interrupted previously. It can dwell on half word or, without having finished thought and proposal, and to pass to other, that not connected with the first. To thought is expressed washed away, clearly it does not formulate concept.	It is successful, independent of sense. It pronounces words and phrases clearly, separating their from each other. It pronounces them, as if relishing the aforesaid. Each word or phrase itself, as it is cut off. Speech melennaya or rapid depending on situation. Even if it chastit, it pronounces words clearly. Each phrase is prepared. It is expressed concretely. One phrase either word - one thought or concept. It discusses, as a rule, first one theme completely, then, after finishing, another and so forth it completes the previous thought, passing to the following. It is attempted to fasten the sense of the aforesaid in any one of the versions, to total, to repeat, to speak result.

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